Archive for the ‘Publishing’ Category

American Record Guide: REVIEW John. Cage. Guitar

CAGE: A Room; 3 Easy Pieces; Dream; 6 Melodies; In a Landscape+

Aaron Larget-Caplan, Adam Levin, g; Sharan Leventhal, v

Stone 8083—54 minutes

Aaron Larget-Caplin and Sharan Leventhal both live in my neck of the woods, the north- east—possibly Mr Levin too. Noting that Cage never wrote for the guitar, Larget-Caplin has resolved to make some suitable arrangements of his piano music, which have been issued by Cage’s publisher, CF Peters. They are very effective, though from time to time I miss the resonance of the piano. The best performances are of the 6 Melodies; Larget-Caplan and Leventhal seem to bring a degree of expression and nuance to the music missing in the earlier solo pieces here. But in the marvelous arrangement of Bacchanale, for two prepared guitars, the raucous sounds of the instruments work very well for this exuberant work. The recording sounds a little harsh to me—as if the microphones are too close to the instruments—but that might appeal to listeners who like their CDs to have a little crossover appeal.

HASKINS
p. 83, April 2019

NeuGuitars of Italy features Aaron

Neuguitars, a blog dedicated to contemporary guitar music (classical, jazz and experimental) featured Aaron’s most recent work in a December triple treat:

1 – Album Review – John. Cage. Guitar.
“An excellent introduction to those who want to approach [Cage] for the first time. Highly recommended.”

2 – Interview – “I am a product of consistent work, listening, and collaboration. I have forged my path.”

3 – Video Playlist – John Cage & Elliott Carter

Thanks to Andrea Aguzzi for including me on his wonderful site, and spreading the good sounds far and wide.

 

New Interview – Boston Voyager

An interview from April is now out in Boston Voyager Magazine.

Includes the trials and tribulations of being a touring musician, the many hats I wear, collaborations, arrangements, teaching. Click the link below to read the article.

http://bostonvoyager.com/interview/meet-aaron-larget-caplan-aaron-larget-caplan-guitar-classical-world-guitarist-aaron-larget-caplan-live-dorchester-teach-umass-boston-tour-internationally/

Classical Guitar Magazine – John Cage

Recent Sheet Music Releases: John Cage, Spanish Renaissance Music for Guitar, and Raúl Maldonado

John Cage
Piano Music Arranged for Guitar
(arr. Aaron Larget-Caplan)
Editions Peters, 20 pp.

Aaron Larget-Caplan is fast becoming perhaps the greatest guitar advocate for the music of John Cage (1912–1992). Having previously arranged Cage’s Six Melodies (originally written for violin and piano) for violin and guitar, he has now put together a collection of Cage piano pieces arranged for solo guitar. As Larget-Caplan notes, the collection features five early and mid-career compositions by John Cage, dating from 1933 through 1948. . . The compositions required little adjustment from the originals, mainly in the form of register modifications, and fit very well on the guitar. All phrase and dynamic markings follow the published originals. Very few left and right hand fingerings are included in the publication, to allow the performers their own realizations. All of the works retain their original keys and are presented in chronological order.”

If you still think of Cage as either a peculiar modernist or wispy minimalist (or both), you will probably be surprised by the warm and sonorous nature of many of these pieces. In its piano version, for example, In a Landscape, almost sounds like it could be a lovely evocation of a Japanese woodblock print, with its delicate, unfolding melody and elegant and mesmerizing short scalar runs, which resemble a koto in parts. Two of the Three Easy Pieces (all very short) look back at Baroque and/or early classical music. Dream (watch below) is quiet, tender, contemplative. The other two works are “A Room” and “Chess Pieces,” each interesting and attractive as piano works, and no doubt on guitar as well.  —Blair Jackson 

 

Cage for Guitar Review

The first review of CAGE – PIANO MUSIC ARRANGED FOR GUITAR!!

Thanks to Julio J. Sequeira and the quarterly MU PHI EPSILON (ΜΦΕ) Triangle.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

READ IT ONLINE: http://online.fliphtml5.com/tuhv/dvrd/#p=10

Thank you 2017!

2017 was musically exciting and adventurous. New collaborations with wonderful musicians and composers pushed me in new directions, for which I am grateful. I am extremely grateful for the friends and family that listen, support, and attend concerts. Also, to the many students who work every day to be better musicians and to find the music in daily life. 

May 2018 be all that you wish for: to good strings, exciting music, and lovely people!

Happy New Year!
Aaron

Musical Highlights of 2017

Concerts in Granada & Extremadura, Spain with cellist Kathleen Balfe
(Spain premieres by Thomas L. Read & Tom Flaherty)

Composers Ian Wiese, Tim Pence, Vineet Shende, Francine Trester, Scott Wheeler, & David McMullin

All-New Lullaby Concerts at the ICA Boston and Coaster Theater, Oregon!

New Lullaby World Premieres by Vineet Shende, Ian Wiese & Stanley Hoffman (New Lullaby Premiere #52!)

A World of Guitar kickoff tour in Texas, Arkansas and Tennessee with guitarists Peter Janson and Steve Davison

World premieres of Carnatic Preludes, After J.S. Bach (N. 1, 11) by Vineet Shende

Concerto debut with the North Shore Philharmonic under Robert Lehman

All-John Cage concerts in Mainz, Germany and the Mantova Chamber Music Festival, Italy

Recorded Concert Champêtre for cello & guitar by Thomas L. Read with Rafael Popper-Keizer

Astoria Music Festival debut with bass-baritone Richard Zeller

A World of Guitar west coast tour of Washington, Oregon, California, Arizona with Peter Janson.

Lecture and performance for the 2017 MU PHI EPSILON tri-annual Convention in Denver

First John Cage for Guitar Lecture-Performance at the Mannes School of Music

Publication of John Cage’s Piano Music Arranged for Guitar by Edition Peters!!

Recording begun of John Cage for Guitar at the Kitchen with engineer Steve Hunt and guests Adam Levin (guitar) and Sharan Leventhal (violin)

John Cage for Guitar Now Available!

 

ABOUT THE ARTIST & ARRANGER

Guitarist Aaron Larget-Caplan is an international touring and recording artist. A sought after soloist and chamber musician with performances in Russia, Europe, and across the USA. He has premiered 78 compositions with many written for him, and he regularly performs his own arrangements of Bach, Scarlatti, Cage, Reynaldo Hahn, and Spanish composers. Aaron, the founder of the New Lullaby Project, and the Spanish dance and music group ¡Con Fuego!, can be heard on Albany, Navona and Stone Records (UK). On faculty at the University of Massachusetts Boston, and formerly at the Boston Conservatory, he loves espresso and searching out hot springs.

Video Introduction of the Collection (2min): https://youtu.be/vJdTXTcxJfE
Artist info: www.ALCGuitar.com • info@ALCGuitar.com
Edition Peters Marketing NY: daniel.johnson@editionpeters.com • 718 416-7800

*****

Press Release Cage Guitar

Edition Peters website

Cage Coming Soon in November!

ACME Honoree from Mu Phi Epsilon

It is a great honor to be a Mu Phi Epsilon ACME Honoree!

I look forward to continuing my musical adventure with the wonderful musicians and music lovers of Mu Phi Epsilon Professional Music Fraternity. Go Beta Chapter!!acmee-mpe-fall-2016

 

 

 

 

 

 

 

 

 

 

Read about the fraternity and other ACME Honorees at: http://c.ymcdn.com/sites/www.muphiepsilon.org/resource/resmgr/triangle_issues/vol110issue3Fall2016.pdf

Publication Review – Six Melodies by John Cage

“The release of such works is very important for the development of the modern guitar repertoire. The transcription of Larget-Caplan has ennobled our instrument.”

Six Melodies – Publication Review by Six Strings of the World (Poland)
Edition Peters, EP68526

“Aaron Larget–Caplan is an American guitarist having in his repertoire a long list of works of six-strings-of-the-world-poland-reviewcontemporary composers. One of the compositions he has shown interest to was the Six Melodies for piano and violin of John Cage from 1955. A. Larget-Caplan has transcribed the piano part for the guitar und has successfully played this composition since 2013 with the violin player Sharan Leventhal. This transcription was released in December 2015 by Edition Peters and was the first published composition for the guitar regarding work of John Cage.

Larget-Caplan is not the first guitar player involved in the work of the famous American musician Cage. The Japanese Kozo Kanatani was interested in the Cage´s work as well, he wrote three arrangements for piano: Dream, In a Landscape and Ophelia, two of them were released as CDs (the Dream as part of the album Renaissance from 1999; In the Landscape on In the Landscape from 2003). Two Italian artists got also connected to the work of the American avant-garde composer, Maurizio Grandinetti recorded on the EQUIvoci, John Cage and John Dowland even eight of Cage´s compositions (exp.) and Andrea De Vitis plays his own arrangements of three Cage´s compositions on concerts as the Aril for vocals and the Dream and the A Room for the piano.

By his transcription A. Larget-Caplan was keeping the part for the violin without changes and has adapted the piano part changing the single sounds and transforming them to another octave. He replaced the components of the chords. In all of the six pieces he was using the scordatura of the sixth string from E to D. His big attention was given to the piano pedal marks, which he tried to translate by setting of exactly accents on tones. From the interpreter’s point of view this composition seems to be not so difficult, but the challenge is made up of in paying attention to tone and articulation and clarifying the sound then many of tones are played in pp or ppp dynamic.

The release of such works is very important for the development of the modern guitar repertoire. The transcription of Larget-Caplan or the arrangements on György Ligeti´s Violin sonata made by the Greek Kostas Tosidis has ennobled our instrument. With help of such artists, works of composers, who never created for the guitar, can be used by guitarists and the non-guitarists are paying more attention and see more potential in our instrument.”
By Michal Lazar
Translated by Agn Cibura, July 2016
March 2016, p. 62
www.szescsrunswiata.pl

2013 Premiere Performance with Sharan Leventhal at the Boston Conservatory