Archive for the ‘Publishing’ Category

ACME Honoree from Mu Phi Epsilon

It is a great honor to be a Mu Phi Epsilon ACME Honoree!

I look forward to continuing my musical adventure with the wonderful musicians and music lovers of Mu Phi Epsilon Professional Music Fraternity. Go Beta Chapter!!acmee-mpe-fall-2016

 

 

 

 

 

 

 

 

 

 

Read about the fraternity and other ACME Honorees at: http://c.ymcdn.com/sites/www.muphiepsilon.org/resource/resmgr/triangle_issues/vol110issue3Fall2016.pdf

Publication Review – Six Melodies by John Cage

“The release of such works is very important for the development of the modern guitar repertoire. The transcription of Larget-Caplan has ennobled our instrument.”

Six Melodies – Publication Review by Six Strings of the World (Poland)
Edition Peters, EP68526

“Aaron Larget–Caplan is an American guitarist having in his repertoire a long list of works of six-strings-of-the-world-poland-reviewcontemporary composers. One of the compositions he has shown interest to was the Six Melodies for piano and violin of John Cage from 1955. A. Larget-Caplan has transcribed the piano part for the guitar und has successfully played this composition since 2013 with the violin player Sharan Leventhal. This transcription was released in December 2015 by Edition Peters and was the first published composition for the guitar regarding work of John Cage.

Larget-Caplan is not the first guitar player involved in the work of the famous American musician Cage. The Japanese Kozo Kanatani was interested in the Cage´s work as well, he wrote three arrangements for piano: Dream, In a Landscape and Ophelia, two of them were released as CDs (the Dream as part of the album Renaissance from 1999; In the Landscape on In the Landscape from 2003). Two Italian artists got also connected to the work of the American avant-garde composer, Maurizio Grandinetti recorded on the EQUIvoci, John Cage and John Dowland even eight of Cage´s compositions (exp.) and Andrea De Vitis plays his own arrangements of three Cage´s compositions on concerts as the Aril for vocals and the Dream and the A Room for the piano.

By his transcription A. Larget-Caplan was keeping the part for the violin without changes and has adapted the piano part changing the single sounds and transforming them to another octave. He replaced the components of the chords. In all of the six pieces he was using the scordatura of the sixth string from E to D. His big attention was given to the piano pedal marks, which he tried to translate by setting of exactly accents on tones. From the interpreter’s point of view this composition seems to be not so difficult, but the challenge is made up of in paying attention to tone and articulation and clarifying the sound then many of tones are played in pp or ppp dynamic.

The release of such works is very important for the development of the modern guitar repertoire. The transcription of Larget-Caplan or the arrangements on György Ligeti´s Violin sonata made by the Greek Kostas Tosidis has ennobled our instrument. With help of such artists, works of composers, who never created for the guitar, can be used by guitarists and the non-guitarists are paying more attention and see more potential in our instrument.”
By Michal Lazar
Translated by Agn Cibura, July 2016
March 2016, p. 62
www.szescsrunswiata.pl

2013 Premiere Performance with Sharan Leventhal at the Boston Conservatory

 

‘Six Melodies’ Published by Edition Peters!

Exciting news!

Aaron’s Arrangement of ‘Six Melodies’ for violin & guitar by John Cage is now published and available through Edition Peters!

http://www.edition-peters.com/product/modern/six-melodies-for-violin-and-guitar/ep68526?TRE00000/

    Six Melodies by John Cage

Written in 1955 and originally for violin and keyboard, Aaron’s arrangement is the first John Cage composition featuring the guitar to be published by Editions Peters, the official publisher of the music of John Cage.

For those not experienced in the early writing of John Cage, the Six Melodies are a wonAaron & Cagederful introduction to a vibrant musical mind whose influence cannot be underestimated. The Six Melodies are quite approachable and audience friendly though their ability to transport listeners to other realms must be considered when programming. The arrangement explores and expands on the timbre (color) qualities of the guitar in place of the keyboard, and the guitar’s more intimate sound compliments the unique violin playing for a truly complimentary duo. Music progressions and hierarchy of pitches take a backseat to an expansive exploration of timbre and rhythm.

Cage_ScoresDuring this period of his composition, John Cage was greatly influenced by the I-Ching, Book of Changes, creating many works based on ‘chance-operations’ during the composing process. The influence of Asian music through rhythm patterns can be heard with the works written in rhythmic structures: 3½, 3½, 4, 4, 3, 4.

The work is not easy for violin with many harmonics and jumps due to the exact string indications given. Cage also asks for no vibrato and minimum weight on the bow. The guitar part is somewhat demanding with a few unusual chords, timbre directions and counting. As a duo there are some wonderful hockets especially in Melodies 3 and 4.

A recording of ‘Six Melodies’ is being planned for 2016-2017. Special thanks to Stephen Drury for the idea of this arrangement and to Sharan Leventhal in giving the first performance at the Boston Conservatory in 2012.

The score is available for purchase through the Edition Peters website:  http://goo.gl/Lj3L8g

For those who do perform or hear it live, please let me know by commenting on this post or via my Facebook page: www.Facebook.com/aaronlcguitar