Archive for October, 2021

REVIEW: Drifting in Fanfare Magazine

REVIEW: New Lullaby – Music Web International

New Lullaby: Fourteen enchanting ways to fall asleep
Aaron Larget-Caplan (guitar)
rec. Futura Productions, October 2009, Roslindale, Massachusetts, USA
Six String Sound 2009 & Stone Records 2021 [52:46]

This CD, the first of three that form the “New Lullaby Project”, presents lullabies for adults. As Larget-Caplan states in his liner notes “I don’t have kids”.

In 2006 he started requesting compositions for this project before he suffered two major traumas. Firstly, he lost his house in a fire. Secondly, only two months later, his wife sustained major injuries in an accident. He refers to the irony that he himself needed so much sleep after twelve house-moves in over two and a half years. The fourteen lullabies were performed at three locations in 2009, shortly before this recording. He states that they “Calm the mind, take us to a new place and leave our ears with the gift of sound as we travel through the realm of our realities. Let us be enveloped by the living music of our world and take comfort that we live amongst it.”

I listened to the disc and treated it as a whole concept. The various compositions work fluently and the sequence has been well thought out. There are notes on each piece by the composers; in a live setting I presume that Larget-Caplan would explain the pieces. I was particularly taken with “Berceuse” by David Vayo where Aaron (I presume) whistles and hums. It would certainly be appropriate for young children. Not all the lullabies are “night music”. Carson Cooman contributes “unfolding the gates of dawn”: a morning lullaby. My son, listening to the CD with me, pointed out the hint of the Beatles’ “In no time” by Jonathan Feist. The “Fab Four” clearly influence some of the other compositions as does “Cavatina”. That said, the composers are to be congratulated for composing music of intrinsically high quality.

This album certainly engenders feeling of peace which, given the personal circumstances of the performer when he was planning the project, is apt. There are times when this disc will be appropriate and I found it achieved its aim of producing a state of peacefulness. I look forward to hearing the next two CDs in this project. David R Dunsmore, October
Contents
1. The Sixth Night – Lynn JOB [3:39]
2. Leaky Roof – Jonathan FEIST [1:27]
3. No Time – Jonathan FEIST [2:22]
4. My Darling’s Slumber – Francine TRESTER [3:07]
5. Nachtlied – Scott WHEELER [4:19]
6. Cradle Song – Kevin SIEGFRIED [3:19]
7. Descent to a Dream – Mark SMALL [4:32]
8. Lulla – for Sam – Nolan STOLZ [3:20]
9. Unfolding the Gates of Dawn – Carson COOMAN [3:53]
10. You are Alone to Sleep, Op.430 – John McDONALD [2:46]
11. Berceuse – David VAYO [7:01]
12. Disturbed, a Lullaby – David LEISNER [4:32]
13. Song Softly Sung, in Trying Times – Eric SCHWARTZ [3:50]
14. Shhh – Ryan VIGIL [5:22]

Link: http://www.musicweb-international.com/classrev/2021/Oct/New-lullaby-88801.htm

REVIEW: Nights Transfigured in Fanfare Magazine

NIGHTS TRANSFIGURED: Vol. 2 Of The New Lullaby Project • Aaron Larget-Caplan (gtr) 
STONE RECORDS (59:55)

SHATZER Lullaby for D—-. CASTILLA-ÁVILA PerseidenTHOMAS L. READ The moon through the window shines down. JULIEN After Many Days Without Rain. SHENDE Reva’s Lullaby. ALAN FLETCHER Lullaby in Three Voices. ÉON Berceuse. DAVID MCMULLIN Sleeping Light, Spinning World. TRESTER Lullaby for Our Time. JAMES DALTON A world of your own. SPANEAS A Child Sings at Thanksgiving. STEPHANIE ANN BOYD Esperanza. SCHUTTENHELM Wiegenlied. BARNABY OLIVER The Pillow That You Dream On

Nights Transfigured is Volume 2 of the New Lullaby Project, the creation of Aaron Larget-Caplan, a guitarist currently on faculty at University of Massachusetts Boston (previously he taught at the Boston Conservatory at Berklee School of Music). Larget-Caplan inaugurated the New Lullaby Project in 2007. Volume 1 in this series, New Lullaby, was released in 2010. During the course of the New Lullaby Project, Larget-Caplan has commissioned, premiered, and recorded numerous works. As he describes in the liner notes for Volume 3 (Drifting, also reviewed in this issue of Fanfare): “The requirements were simple: a beautiful 3-5 minute guitar solo in the genre of a lullaby … a malleable definition. So simple and yet after 65 premieres by over 55 composers in nine countries, no two lullabies sound the same.” Larget-Capan characterizes the works featured in Volume 1 as “divided into warm and safe versus dark and foreboding.” With regard to Volume 2: “in Nights Transfigured each possesses soupçons of melancholy, shadows of warmth, and inward contemplations, reflecting the times when they were created, between 2011-2020.” As one might anticipate, the 14 works on Volume 2, written by as many contemporary composers, explore a wide range of styles and expression. That said, they are all accessible, and gratifyingly embody the function and spirit of the lullaby. For example, After Many Days Without Rain, by composer and jazz flutist Patricia Julien, explores 12-tone writing, cast in a 5/4 meter. I agree with Julien’s comment (each composer supplies his or her own program notes) that “neither feature is particularly evident when hearing this work,” in the sense of posing undue challenges for the listener. Larget-Caplan performs all of the lullabies with the utmost affection, tonal beauty, and sensitive phrasing. The recorded sound is marvelous; rich and detailed, with a (not too) close perspective of the performer. In addition to the composers’ program notes, the booklet includes information on each work’s premiere and score availability. There are also bios of the composers. Nights Transfigured is a truly beguiling hour of music making, one that (perhaps despite the traditional goal of a lullaby) held me in rapt attention throughout. I am always deeply gratified by recordings that document the commissioning and marvelous performances of first-rate works. Nights Transfigured is such a release. Recommended. Ken Meltzer

This article originally appeared in Issue 45:2 (Nov/Dec 2021) of Fanfare Magazine.