Archive for January, 2016

Inspired by Paintings with Composer Thomas L. Read

Thomas L. Read

           Thomas L. Read

I have always been intrigued by music that looked towards the visual arts for inspiration. Of course Pictures in an Exhibition by Mussorgsky is one of the most famous, but I am equally thrilled by the Joan Miró painting  Equinox, which inspired Toru Takemitsu’s guitar solo of the same title, which I recorded in 2005 and again in 2015. In 2013 composer Thomas L. Read composed a guitar and cello duo for me titled ‘Concert Champêtre’ .

Concert Champetre painting - Titian

                                 Titian

Read, professor emeritus of University of Vermont Burlington and an New England Conservatory alumni, wrote me about the piece:

“The initial concept of the duet emerged with recollection of two famous paintings: Le Concert Champêtre, c. 1509, by Titian, and Et in Arcadia Ego, 1639, by Nicolas Poussin. The music is cast in three interconnected movements played without pause.”

‘Le Concert Champêtre’ (The Pastoral Concert) is an oil painting of c. 1509 attributed to either of the Italian Renaissance masters, Titian or Giorgione. It is in the Musée du Louvre in Paris

Et-in-Arcadia-ego

                         Nicolas Poussin

‘Et in Arcadia ego’ is a 1637–38 painting by Nicolas Poussin. It depicts a pastoral scene with idealized shepherds from classical antiquity clustering around an austere tomb

I gave the first performance of Concert Champêtre at the St. Petersburg Conservatory in Russia with cellist  Anton Andreev on May 22, 2014. I have since performed it in Boston, New Hampshire and again in Russia. The Spanish premiere is being planned for summer 2016 and there is hope for a near future recording. The work is published by the American Composers Alliance and the guitar part is edited by me.

Here is a video in Boston with cellist Anton from November 2014: