{"id":1021,"date":"2018-11-29T22:12:36","date_gmt":"2018-11-30T02:12:36","guid":{"rendered":"http:\/\/alcguitar.com\/blog\/?p=1021"},"modified":"2018-11-29T22:12:36","modified_gmt":"2018-11-30T02:12:36","slug":"music_web_review","status":"publish","type":"post","link":"https:\/\/alcguitar.com\/blog\/music_web_review\/","title":{"rendered":"CD REVIEW: John. Cage. Guitar. &#8211; MusicWeb International"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-1022\" src=\"http:\/\/alcguitar.com\/blog\/wp-content\/uploads\/2018\/11\/Musicweb-300x122.gif\" alt=\"\" width=\"300\" height=\"122\" \/><\/p>\n<p>STONE RECORDS 50601927 80833<\/p>\n<p>Stone who have established a name for their song series including embracing long-needed projects, such as the output of C.W. Orr, here branch out in unaccustomed directions.<\/p>\n<p><em>A Room<\/em>\u00a0is an insistent little minimalistic mood piece. The\u00a0<em>Three Easy Pieces<\/em>\u00a0are amicable <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-975 alignright\" src=\"http:\/\/alcguitar.com\/blog\/wp-content\/uploads\/2018\/09\/cover-John.Cage_.Guitar.-300x282.jpg\" alt=\"\" width=\"300\" height=\"282\" srcset=\"https:\/\/alcguitar.com\/blog\/wp-content\/uploads\/2018\/09\/cover-John.Cage_.Guitar.-300x282.jpg 300w, https:\/\/alcguitar.com\/blog\/wp-content\/uploads\/2018\/09\/cover-John.Cage_.Guitar.-768x722.jpg 768w, https:\/\/alcguitar.com\/blog\/wp-content\/uploads\/2018\/09\/cover-John.Cage_.Guitar.-1024x963.jpg 1024w, https:\/\/alcguitar.com\/blog\/wp-content\/uploads\/2018\/09\/cover-John.Cage_.Guitar..jpg 1427w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>diminutives. There is no obstacle to cool enjoyment and any fears about Cage and the avant-garde are misplaced. The<em>\u00a0Chess Pieces<\/em>\u00a0and\u00a0<em>Dream <\/em>throw out plenty of variety of atmosphere and, within the confines of a cool shadowed world, exploit the confiding and orating of Aaron Larget-Caplan&#8217;s guitar.\u00a0<em>Six Melodies<\/em>\u00a0for violin and guitar are a shade, but often only a shade, more complicated. After six tracks of Cage, the tunefully atmospheric music-smith, one\u2019s mind and ears are ready for the\u00a0<em>Melodies<\/em>&#8216; gloriously creaking match and mismatch carried by violin and guitar. These\u00a0<em>Melodies<\/em>, mercurially varied and each radiating the feel of a journey, occasionally carry the suggestion of baroque Iberian courts.\u00a0<em>In a Landscape<\/em>\u00a0is an interplay of shadows, dripping archways and rilled watercourses. The music here is about patiently moving water rather than torrents; it would make a tasty companion to Rodrigo&#8217;s\u00a0<em>Aranjuez<\/em>\u00a0concerto.\u00a0<em>Bacchanale<\/em>\u00a0revels in discontinuity including deadened wood-splintering resonances. Somewhere in the mix is the sound of the koto for which Cage&#8217;s similarly inclined friend, Henry Cowell, wrote a concerto premiered by Eto Kimei and conducted by Stokowski in 1964.<\/p>\n<p>The notes, which address the individual works, Cage from various perspectives and artist profiles are by Aaron Larget-Caplan.<\/p>\n<p>This disc, quite properly, knows no fear in its blend of delicacy, complexity and amiable simplicity.<\/p>\n<p><strong><em>Rob Barnett<\/em><\/strong><\/p>\n<p><strong>John CAGE (1912-1992)<\/strong><br \/>\n<em>A Room<\/em>\u00a0(1943) [2:35]<br \/>\n<em>Three Easy Pieces<\/em>\u00a0(1933) [4:06]<br \/>\n<em>Chess Pieces<\/em>\u00a0(1944) [7:52]<br \/>\n<em>Dream<\/em>\u00a0(1948) [7:06]<br \/>\n<em>Six Melodies<\/em>\u00a0for violin and guitar (1944) [12:34]<br \/>\n<em>In a Landscape<\/em>\u00a0(1948) [8:36]<br \/>\n<em>Bacchanale<\/em>\u00a0for two prepared guitars (1940) [10:38]<br \/>\nAaron Larget-Caplan (guitar, prepared guitar)<br \/>\nSharan Leventhal (violin)<br \/>\nAdam Levin (prepared guitar)<br \/>\nrec. 2017\/18, Massachusetts, Boston<br \/>\n<strong>STONE RECORDS 50601927 80833<\/strong>\u00a0[54:03]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>CAGE Guitar &#8211; STONE RECORDS 50601927 80833 [RB] Classical Music Reviews: November 2018 &#8211; MusicWeb-International<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><em>*Read it on MusicWeb International:<\/em><br \/>\n<a href=\"http:\/\/www.musicweb-international.com\/classrev\/2018\/Nov\/Cage_guitar_5060192780833.htm?fbclid=IwAR3INH1ZqutUo5FRUQDyK3IkNdlS3PGGWWOXBPUlALcubCdZea_FhNcm6rg\">http:\/\/www.musicweb-international.com\/classrev\/2018\/Nov\/Cage_guitar_5060192780833.htm?fbclid=IwAR3INH1ZqutUo5FRUQDyK3IkNdlS3PGGWWOXBPUlALcubCdZea_FhNcm6rg<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>STONE RECORDS 50601927 80833 Stone who have established a name for their song series including embracing long-needed projects, such as the output of C.W. Orr, here branch out in unaccustomed directions. A Room\u00a0is an insistent little minimalistic mood piece. The\u00a0Three Easy Pieces\u00a0are amicable diminutives. There is no obstacle to cool enjoyment and any fears about [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[150,6,53],"tags":[28,172,230,243,244,157],"class_list":["post-1021","post","type-post","status-publish","format-standard","hentry","category-press","category-recordings","category-reviews-2","tag-cd-review","tag-john-cage","tag-john-cage-guitar","tag-musicweb","tag-no-fear","tag-stone-records"],"_links":{"self":[{"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/posts\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":1,"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/posts\/1021\/revisions"}],"predecessor-version":[{"id":1023,"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/posts\/1021\/revisions\/1023"}],"wp:attachment":[{"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/media?parent=1021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/categories?post=1021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alcguitar.com\/blog\/wp-json\/wp\/v2\/tags?post=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}